......Sema Bekirovic......Photography......Installations and other stuff......Cv.......Text.....News.....Links.......

 

PRIX DE ROME:

Type: exhibition
Date: May 20, 2007 - July 1, 2007
Location: Witte de With, Rotterdam, and de Appel, Amsterdam

Presentation of the long-listed candidates for the Prix de Rome (visual arts) 2007.
Opening Saturday May 19, 2007
1 p.m. at Witte de With, Rotterdam
6 p.m. at de Appel, Amsterdam

 

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Stay Tuned, 22.4-3.6.2007, Schloss Ringen Berg

(www.schloss-ringenberg.de)

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Galerie Diana Stigter
Stand 55-Artists presented on Art Rotterdam

Semâ Bekirovic | Martha Colburn | Iris van Dongen | Matias Faldbakken | Rezi van Lankveld | Fortuyn O’Brien | Roman Wolgin

Information gallery

elandsstraat 90
1016 sh amsterdam
the netherlands
t 0031 20 624 23 61
f 0031 20 624 23 62
www.dianastigter.nl

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Het boekje: Koet, dat wordt uitgegeven door Veenman uitgevers, is vanaf nu te bestellen! Stuur me een mailtje met je adres en het aantal boekjes dat je wilt en dan krijg je een factuur thuis gestuurd.

21 februari is de release party van het boekje,als onderdeel van de Capricious show in het:

Stedelijk Museum Bureau Amsterdam

January 21 - March 4, 2007
Opening: January 20, 5 - 7 p.m
Rozenstraat 59 Amsterdam
Tuesday to Sunday from 11.00 to 17.00

The title of the exhibition ‘Capricious’ in Stedelijk Museum Bureau Amsterdam is derived from the Amsterdam/New-York periodical
of the same name which functions as an open podium for up-and-coming photographers who work autonomously.
As a counterpart, SMBA presents six young photographers, some of whom have also previously shown work in the periodical:
Katja Mater, Marianne Vierø, Melanie Bonajo, Paulien Oltheten, Linda-Maria Birbeck and Sema Bekirovic.
The magazine Capricious gives photographers six to twelve pages to show one photo on each page. Each mat-finished page is
detachable. This arrangement makes it clear that Capricious is not so much a magazine but a periodically appearing collection
of autonomous works from which everyone may assemble an exhibition at home, to their own taste.
In fact, in this manner the magazine rather simply does what museums often do in the form of elaborate exhibitions,
in which the autonomy of the work shown is generally underscored by the format and the amount of white space around them.
But why do what a magazine can also do? Would it not be better to experiment in an exhibition with photography,
a flexible medium par-excellence, and try to open up the great potential of its presentation possibilities?
For its group exhibition ‘Capricious’ the SMBA has chosen work by six photographers who are searching for an alternative way
to handle the medium – a way that is not only expressed in their choice of subjects, but especially in the manner in which they
present their photography. Content and presentation cannot be seen as separate from one another.


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